Mom's Hair, Alexey Evstigneev.jpeg

MOM’S HAIR

DIRECTED BY ALEXEY EVSTIGNEEV
RUSSIA // 2021
8 MINS

At the age of four, Lisa lost all her hair to alopecia. In an effort to protect Lisa, Mom cuts her hair and makes wigs out of it. Growing up, Lisa tries to escape from the world of her mother's hair, which has become too tight.

Reflective Encounters

“Hair (or the lack of it) is a powerful identifying feature. Out of all the body parts, hair is perhaps the most socially and culturally imbued, particularly for women. In the last hundred years, with the proliferation of visual media and animation, the importance of hair has only been amplified further. You instantly recognise each member of the Simpson family by their distinctive do’s.

However in the real world, the loss of hair, whether due to genetics or illness can be a source of great anxiety because of how it will affect the way in which we are treated. This is what Mom’s Hair zeroes in on.

Choosing to animate hair through live-action photographs is a clever nod to the story’s biographical roots. It allows for some creative moments, such as when the hair moves like waves in the sea. The way characters are drawn is in keeping with children’s animation, easily readable and expressive. Even though this is a story about illness and the difficulties that arise from mother-daughter relationships, this gentle storytelling approach means that Mom’s Hair has the atmosphere of a bedtime story, making a challenging topic approachable for a younger audience.”

— Cathy Brennan

Filmmaker Bio

 

Alexey Evstigneev was born and grew up in Shatura, Russia. He has been studying Documentary Filmmaking at Gerasimov Institute of Cinematography (also known as VGIK), course of Viktor Lisakovich, and Alexey Geleyn.

His student film The Track premiered at Dok Leipzig in 2019, the festival circle of the next documentary The Golden Buttons was launched on Visions du Reel in 2020. The Golden Buttons was long-listed for the 2020 European Film Award. Mom's Hair is a graduate film by Alex.