Reflective Encounters

A rhythmical score over a scratched celluloid opens Dowr Tamar, an exploration of the landscape around the River Tamar, which divides the counties of Devon and Cornwall. With a mixture of film and video formats, the work interacts with the idea of technological progress throughout the years to witness the changes around the bridges that cross the river. The vibrant nature surrounding the riverbanks is portrayed alongside footage of human trade and occupations through time. The bridges stand peacefully among the tress and shimmering water accompanied by a subtle, mesmerising soundtrack.

Currently, a traveller from Cornwall has to pay the toll of £2.60 when driving into Plymouth through the Tamar Bridge, – the bridge was built in 1961 on demand of the local communities – a controversial fee that ignites discussion about the counties’ borders and access. A theme of connection permeates the film’s visual study of relationships between human life, nature and the land, while also raising questions about the expansion of human activities and their effect on the environment. The local heritage of this important part of the South West stands as a backdrop to this poetic work that doesn’t explain, argue, or didactically inform, rather it skilfully makes use of film language within the sensory experience in order to provide a space for reflection.

— Patrycja Loranc